Today I am pleased to share the personal story of Linda Welch, one of the Indie Chicks from the Indie Chicks Anthology.
When I published the first two Whisperings paranormal mystery novels, I created an icon to use on Facebook and Twitter. The picture is of Whisperings lead character, Tiff Banks. It seemed a good way to advertise my product at the time. But no matter how often I say she is not me, I am not a tall, slim, blond young woman, many obviously don’t believe me. Response to the avatar has amused me over the years. You wouldn’t believe the comments, compliments, and odd comments I think were meant as compliments. Many of them were a hoot. I knew I’d eventually have to come out of the identity closet and say, hey, look here, this is me, not the long-haired cutie.
Then Cheryl Shireman asked me to contribute to the Indie Chicks anthology and also asked for a photo. This is the perfect opportunity to set the record straight. If you want to know who Linda Welch really is, read on. . . .
by Linda Welch
I’m going to tell you something I don’t think you know.
I haven’t been a “chick” for many a year. I’m a couple of months shy of 61. I have been married to the same man for 39 years. We have two sons and four grandchildren. And you thought I was a tall, slim young thing, didn’t you. I am what is called a late bloomer and I’m writing this for other old biddies who had a dream and let it pass them by, or think they are too busy, or it’s too late to fulfill their dream. I don’t mean just writing, but any dreamed-of achievement you hide in your heart.
I was born in a country cottage in England. My father was a restless man, so we often moved and never had much money. I remember days when only Dad had meat on his plate at dinner, but we never went hungry. We had vegetables and fruit from the garden, eggs from the chickens. Times were hard, but we children never knew that. We were loved. When Mum and Dad met during World War II, Mum was a privately educated “well-bred” lady. I doubt I will ever meet anyone as smart as my mother. At 88 years, she is still as sharp as a tack. Dad was a countryman to the bone. He had many artistic talents he didn’t pursue until later in life. When he did, he excelled at them. I like to think some of their intelligence and talent rubbed off on me.
So much has changed, in my life, in the world. I hold memories of my childhood close. I won’t let them fade. One day, I will write about them.
I had a good basic education, first at a village school, then an all-girls school, but I left at 15 (at that time the legal age in England) and worked first as a telephone operator before I went into office occupations. I did not see authorship in my future.
But I have always daydreamed. Often, I recreated the same daydream multiple times, constantly elaborating. I did not realize I wrote books in my head.
I began writing words on paper in my mid-forties, but it was a hobby. Somewhere along the way, I thought, Could I publish this? and then I’d like to publish. But I talked myself out of it. Authors were young men and women who decided they wanted to write at a young age and worked to improve their skill their entire life. They went to college and university, they had degrees in writing, creative writing or journalism. I was inexperienced; I didn’t have their dedication or education. Anyway, I had a husband to support, children to raise and part-time jobs to supplement the family income. I didn’t have time to write and send queries, synopsis or sample chapters to agents.
In 2008 I discovered the Lulu publishing platform and took the plunge. I published the space opera Mindbender and science fiction Galen’s Gate. I subsequently unpublished them, with every intention of revising and republishing. Some copies are still floating around out there somewhere. However, Tiff Banks, who had been swimming around in this murky thing I call a brain for several years, chose to come out and play. She took over my life. She became my second skin.
When I think back to why I did not publish until in my fifties, I realize it had nothing to do with inexperience or lack of education. I was not ready. I had to marry a dashing young American airman, leave my homeland, raise two sons, spoil four grandchildren, live and work with Americans and become entrenched in the way of life. I was not ready to write Along Came a Demon until I came to the mountains of Utah, stood looking over my mountain valley, and knew, “this is it. This is where Tiff lives. She knows the bitter cold and snow of winter, the harsh heat of summer. She knows her city and the people inside-out. This is Tiff’s world, and now, I know who she is.”
Then the hard work began. My education was strictly “King’s English.” I wrote formal letters, contracts and legal documents at work. I had to take the starch out of my writing. Research didn’t help. It seemed that each time I read an article or blog about word usage, in particular overuse and what to avoid, the next book I read was a best-selling novel by a best-selling author who broke those rules. And having decided to barge into my life, Tiff was very positive about how she talks. She’s a born and bred American, a slightly snarky, slang-wielding gal who speaks to the reader on a personal level, individual to individual. I had to use a style that practically screamed “you can’t do that!” in my ear every other sentence.
I published the first Whisperings novel for another reason: Nobody seemed to believe in my writing. Not friends, relatives, friendly acquaintances. I think they supposed a 58-year-old with no education in the literary field, who suddenly came out of the woodwork and decided to publish, must be a “vanity publisher” who wanted to force poorly-written books on readers. When I said I wrote fiction, I got blank looks, followed by, “that’s nice. Now, as I was saying. . .” Nobody wanted to read my work, not even my sweet husband. But he enjoyed urban fantasy and I thought he’d like Tiff Banks. So in a way, I also published for him.
I published Along Came a Demon in November 2008. It was supposed to be a stand-alone novella, but readers wanted more and Tiff obliged. Along Came a Demon became book one of the Whisperings series of paranormal mysteries. I published the sequel, The Demon Hunters, in November 2009. In 2010 I added material to Along Came a Demon to make it a full-length book and at the same time made small changes to The Demon Hunters to reflect those in Along Came a Demon. I published book three, Dead Demon Walking, in March 2011. Being a wordsmith, I should be able to express my joy each time a reader tells me they love my books, but it truly is beyond my powers of description. Now, when someone asks me what I do for a living, instead of telling them I am a part-time administrative assistant and adding (hesitantly) “I also write fiction,” I say I am an author. When I fill out a form that asks for my occupation, I proudly write “author” in the little box.
Mary Wesley published Jumping the Queue at age 70 and went on to write ten best sellers until she died twenty years later.
Harriett Doerr was 74 when she published The Stones of Ibarra.
Laura Ingalls Wilder published her Little House on the Prairie series when she was in her 50s.
Mary Lawson was 55 when Crow Lake was published.
Flora Thompson is famous for her semi-autobiography Lark Rise to Candleford, published when she was 63.
Age is irrelevant. You are never too old. For anything.
This is one story from Indie Chicks: 25 Women 25 Personal Stories available on Amazon and Barnes & Noble. To read all of the stories, buy your copy today.
Also included are sneak peeks into 25 novels!
My novel, Along Came a Demon, book one of the Whisperings paranormal mystery series, is one of the novels featured.
All proceeds go to Susan G. Komen for the Cure.
Whispering books are also available in e-book formats from Apple, Diesel, Kobo and Sony.